
Dir: Louis Malle
Starring: Gaspard Manesse, Raphaël Fejtö, François Berléand.
WARNING: Contains plot spoilers!
Second World War saga “Au Revoir, Les Enfants” recounts the childhood experiences of director Louis Malle during the latter stages of the German occupation of France. After the defeat of 1940, French society was forced to endure foreign occupation, domestic collaboration and a radically new way of life. Within this context we meet Julien (Manesse), a young boy coming to terms with his own personal traumas namely, the absence of his parents and the monotonous routine of his boarding school life.
The arrival of a number of new pupils to the school disrupts the status quo and distracts Julien from his torments. One boy in particular, Jean Bonnet (Fejtö) stands out and attracts ostracism and (secret) admiration in almost equal measure from his cohorts. Gradually, Julien and Jean are drawn closer together, but simultaneously Julien begins to have increasing suspicions about his new friend who claims to be a Protestant whilst not having, as Julien puts it, “a Protestant surname”.
Ultimately it transpires that Jean and a number of other boys are in fact Jewish orphans sheltering within the confines of a strict Catholic School from the seemingly ubiquitous Gestapo. After a number of near misses (including apprehension by a German military Patrol) and with the Nazi war effort floundering on all fronts, it appears as though Jean and his compatriots may evade capture and survive the war. Tragically however, they are betrayed by a hitherto unassuming character in the film. The film ends with Jean being led away to his fate with his school friends looking on mournfully.
Overall “Au Revoir” is a beautiful and haunting tale pitting the innocence of childhood against the cruelty of war. Although some have criticised the film for its lack of substantial action, this is in a certain sense is one of its main strengths. Typically, films concerning war prefer to concentrate on the blood and “glory” of the frontline. By contrast “Au Revoir Les Enfants” portrays the war through civilian rather than combative eyes resulting in an unorthodox but no less relevant depiction.
At its core, and perhaps in keeping with the stark Catholic context, the film’s underlying message is one of atonement and the possibility of redemption. Throughout the film we witness examples of both the best and worst of human nature: the bravery of the school’s priests matched with the callous selfishness of a wronged individual. An important film particularly for French audiences, illuminating as it does both the courageous and cowardly attitudes of a society under occupation.
Rating 4/5


